In the Glossary
of Terms I have collected
references to the prayer as discussed in the Golden House of God. The
Sanctuary reveals God’s Ladder of Love, His Jacob’s Ladder to heaven in
the contemplation. On the diagram we she how our Heavenly Father has
planned His Sanctuary as His working or intentional plan in the prayer.
The three theological virtues are marked with the green letters to the
right on the diagram: A
(faith); B (hope) and C (charity).
The numerals (brown on the diagram) refers to the
nine stages of the
prayer as St. Teresa of Avila defined them as well as to the nine rungs
of John’s of the Cross ladder of love. They are,
(1) Vocal prayer
(2)
Prayer of outer recollection
(3)
Prayer of inner recollection
(4)
Prayer of rest
(5)
Prayer of union with discerning of
the real presence in the heart
(6)
Prayer of union with
suspension in love
(7)
Prayer of union with transport of
the spirit
(8)
Prayer of union in
the flight of the spirit
(9)
Prayer of union in the spiritual
matrimony
As to the
importance of the contemplation I quote the theologian Karl Rahner who
expressed this truth with particular boldness, “The Christian of the
future will be a mystic (contemplative) or not exist at all.” [1] In one of his letters Abbot
Chapman said, “The easiest way to draw one’s attention to God is to
forget everything else.” Easier said than done. When we try to explain
what takes place when we draw our attention to God, this endeavor is so
spiritual that it is difficult to express this in words. It is easier
to say what this is not: that is an endeavor without thoughts, words or
superficial
feelings.
Most of us have in spite of this experienced occasionally the mystery
behind the contemplation. Those who have been given keen sensitivity
and openness – as artists – do this quiet often. In as few words as
possible this means to be ravished from oneself when facing something
beautiful. Most of us have been to some exceptionally beautiful places
like being at the seashore at sunset and so to say been enchanted by
this artistic beauty of God’s creation. We feel as we forget ourselves
for a brief moment: are ravished in speechless wonder and awe.
This happens relatively often when our faith
begins to reach deeper levels, as for example in the adoration of the
blessed sacrament. We look at our wristwatch before kneeling down and
after a moment when we check the time again three hours have passed
instead of this brief moment of one and a half minute we thought had
passed. We know that we have been “somewhere else,” in a place beyond
space, time and all sorrows.
You can try the first or beginning step of
contemplation [2] if you
willingly offer some 30 minutes of your time. I have selected a picture
of our Lord and Redeemer to
contemplate because the Sanctuary of the Tabernacle above is a
prefiguration of Him and reveals the only movement of His Sacred Heart,
to draw our souls to Him, "I will draw all men to myself." (Jn
12. 32). In this context we have to bear in
mind the difference between a sign
and an image or by the words
of Edith Stein,
Contrast becomes
apparent as soon as we take into account the difference between sign and image. Understood as a likeness – the image points to what
is imaged through an inner similarity; whoever sees it will immediately
be directed through it to the original that he recognizes therein or
that he learns to know through it. [3]
Now the Sanctuary of the Tabernacle is as whole in the light of Christ’s incarnation more than a
bundle of signs as it was in the Old covenant. It is an art gallery of
sacred images or symbols which God reveals for our spiritual education
and an intentional plan on His behalf in our Christification. Every
iconographer and religious artist opens a window for us to heaven by
his
art, and in spite of the fact that John of the Cross was foremost
contemplative, theologian and poet, he was also a talented artist as
we can see by the picture he drew of the cross (Med. 44). John of the Cross new also
what the “Crucified One” demanded from him as an artist,
But the Crucified One
demands from the artist more than mere portrayal of the image. He
demands that the artist, just as every other person, follow him: that
he both make himself and allows himself to be made into an image of the
one who carries the cross and is crucified.
Expressing the image externally can be a hindrance to doing so
internally, but by no means must be so; actually, it can serve the
process of interior transformation because only with the production of
the external expression will the inner image be fully formed and
interiorly adapted. In this manner, when no obstacle is placed in its
path, it becomes an interior representation that urges the artist to
effectively reproduce it in action, that is, by way of imitation,
externally. [4]
Keeping this in mind the Sanctuary of the Tabernacle reveals actually
the Science of the Cross. In
this context is meant the ancient meaning of the word: wisdom. It reveals what lived in
the Heart of God the Father and the Sacred Heart of Jesus “before the
world was made” that we would be “holy and faultless before Him in
love” (Ep 1. 4).
The love is enkindled in the contemplation and this is what it is all
about.

All that I ask you, dear reader, to do is to gaze at the picture
of Jesus above for a while. As to become better recollected it is of
help to slow one’s breath. Refuse all messages from other things around
you. Look at Him peacefully and literally open your person in front of
Him. Almost immediately this new endeavor to perceive will open new and
before unknown challenge or possibilities. You will discern a growing
peace within and how the restless activity of the mind slows down and
all sense of time changes. It is as you begin to discern the picture in
a new way and it has something to say. The distance between the subject
and the object begins gradually to melt away. A bridge of communication
has been built and the wall of separation has been removed once and for
all. A contact has sprung to life: an encounter.
You have walked into the world of true relationship and given the
“healed eye” (Lk 11. 35) change to see. A communication on a far deeper
level of being has been established. This takes always place when the
superficial mind has been quieted and recollection becomes predominant
in the consciousness.
While our minds are distracted and the discursive reason is predominant
and active a flow of thoughts and images bursts continuously forth in
the imagination (as well as the memory). In this little experiment you
have learnt the methodology behind ravishment: to become enchanted.
Thus we approach the world beyond thoughts and words.
This is how we can concentrate our attention and watchfulness in the
world of prayer and adoration. Involuntarily this sacred image of our
Lord and Redeemer enkindles love
within and we dwell in His presence in charitable attention, but
this attitude is the core of a true contemplation as John
of the Cross defined it. This is Teresa’s of Avila formula mirar
que le mirar: to look at Him who looks at us! And she reminded
her spiritual daughters on the fact that she didn’t expect them to
think much, but to love much. In our daily prayer our charitable
watchfulness grows gradually more and as has been said in the
Church for ages: Ubi caritas et
amor, Deus ibi est – where the charity and love are dominant,
there is God. We love and are loved and become like our Beloved and
locus of our love. In the charitable real presence of the prayer we
rest in the life giving rays of the Christ’s eye, or by the words of
the Swedish contemplative Hjalmar Ekström,
Yes, everything
drowns in the lucid silence of God and attains unity: everything
becomes lucid, everything becomes like a crystal – until we return to
ourselves for a moment and everything is covered by a mist from the
ground of the heart. But even while such a mist is predominant the
heart is convinced that the lucidity is at hand, although not
discerned. And a message arrives from the heart: not struggle, not
judge, not persevere your own life, don’t try to feel! – In this way
the heart opens again and expands still further and is illuminated and
filled with such sweetness and burns in such a life, that the body
shivers and trembles (is consummated like the fire devours the candle –
and the life bursts forth like a flower). [5]
It is only by complete self denial and by offering oneself completely
into
the hands of God that the almond blossoms of the sanctification begin
to bloom in all their beauty in the lovable rays of the Seven days sun.
This is the grace of our Royal Archetype – Christ Jesus – when we
embrace His person in passionate love. And His graceful image begins to
appear in an authentic manner in the deep of our being or by the words
of Meister Eckhart,
If this birth really
happens no creature can hinder thee, all points thee to God and this
birth. [6]
It are the last remains of the ego of selfishness which are like a veil
or mist that covers the heart and makes it unable to see. That is why
this purification in this Recycling Plant of the Holy Spirit is so
urgent as to restore the purity of the baptismal grace. When this ego
of selfishness dies on the golden altar in the Holy the veil is removed
and St. Paul’s words are realized once again in a human soul before the
eyes of the white nation of everlasting joy,
And this veil will not be taken away till they turn to the
Lord (2 Cor 3. 16)
[1].
“The Spirituality of the Church of the Future,” in Concerns for the Church,
Theological Investigations 20.
[2].
As to further information on the nature of contemplation I recommend
St. Teresa’s of Avila The Way
of Perfection as her contemplation is based on Our Father
(chapters 21-42). It is available in
digital form at:
[3],
The Science of the Cross, p.
39. Trans. by Josephine Koeppel, ICS Publications, Institute of
Carmelite Studies, Washington D.C., 2002.
[4]. Ibid, pp. 12-13.
[5]. Mystikern Hjalmar Ekström, p.
212.
[6]. Meister Eckhart (Pfeiffer), p.24.