As
a prefiguration of the sacrament of Anointment the lamp stand proclaims
the same truth as revealed to Isaiah the prophet, “and the light of the
sun shall be sevenfold, as the light of seven days, in the day that
Yahweh binds up the hurt of his people, and heals the stroke of their
wound.” (Is 30. 26). The Holy Spirit reveals how God intends to cure
the soul's primeval powers of all the remains of the impediments
of pride, envy, anger, sloth,
avarice, gluttony, and lust by drawing the soul to the
inscrutability of the Trinitarian mystery as revealed by the lamp stand
in accordance with His words, “I will draw all to myself” (Jn 12. 32),
all souls who give heed to His words and do not resist in their protestant attitude of the flesh.
Here at the lamp stand the emphasize is on the sacrament of Anointment of the sick as a sacrament of the living.
The lamp stand is indeed a blueprint
or plan of the Christification where we see in an authentic way how the
soul is gradually drawn towards the center lamp of the lamp stand by
its illumination in its gracious effects as exposed by the nine almond
blossoms on each of the arms referring to the Humanity and Divinity of
Christ appearing in authentic effects by the moral and infused virtues in the soul. As has
been stated above this takes place in the illumination of the nine
jewels or foundation stones of the new Jerusalem, both exposed by the
nine articles of the vestments of the high priest (Med. 21) and as infused illumination of
the nine celestial hierarchies (Med. 46).
This development is still further repeated or emphasized by the two
rows of loaves on the golden table (Med.
53) as descending of Christ to earth in His Humanity by the first
row in order to take the soul up or ascend to heaven as exposed by the
second row of loaves. This is nothing but the final union with God, a
“share in the divine nature” (2 Pt 1. 4) concluded by the sacrament of Matrimony or the Spiritual marriage. It is here
where Christ becomes all in everything where the soul finds her
fullness and everlasting peace,
He is the Beginning, the
first-born from the dead, so that he should be supreme in every way;
because God wanted all his fullness to be found in him and through him
to reconcile all things to him, everything in heaven and everything on
earth, by making peace through his death on the cross (Col 1. 19, 20).
Literary speaking the soul becomes a new
creation in her assimilation to her Royal Image in glory, “So
for anyone who is in Christ, there is a new creation: the old order is
gone and a new being there is to see” (2 Cor 5. 17). This God
accomplishes by drawing all to myself
(Jn 12. 32). It is this precious truth which is revealed by this
blueprint of the Christification. We can thus draw following diagram to
shed light on this mystery.
On each of the arms of the lamp stand these two aspects of the
Christification are revealed by the number of the almond blossoms, nine
on each branch or arm, altogether eighteen (9 + 9) referring to the
growth of the soul in the moral
and infused virtues. Thus God
“draws”
the soul gradually to the center lamp of the lamp stand which is also
the center or essence of the soul in the sanctifying grace of the
Sacred Heart. On the diagram above the moral virtues are exposed with a brown hue.
This power of attraction is also revealed as ascend on the
stem by its four almond blossoms. The stem itself with its four almond
blossoms refers thus to Christ's wisdom, justice, sanctification and
redemption (see 1 Cor 1. 30) and the three arms above each other shed
light upon the fact how the powers of the soul are lifted up in the
live of grace in the three great nights of the prayer life: the night
of the senses, the night of the spirit and the night of redemption. The
stand itself reveals the Trinitarian mystery and sheds light upon the
growth in the Tetramorph in four stages,
When the Paraclet comes, whom I
send to you from the Father, the Spirit
of truth who issues from the Father, he will be my witness (Jn 15. 26).
We can never discern the mystery of the lamp stand otherwise than in
the light of the Incarnation of Christ Jesus. The lamp stand is thus an
exact image of the Spirit's efficiency and power when He is sent into
the world to reveal Christ in each member of the Church in a personal
way shedding light on the formation
of the soul to her Royal Archetype. We can
certainly name these effects the traces
of the Trinity both hidden in
the mystical body of the Church as well as in the human nature
individually, as traces of the divine virtues of faith, hope and
charity in the mystery
streaming from the root or the base of the lamp
stand. This ascend or analepsis is actually identical to the procession
of love exposed on the explanatory diagram of Rublev’s icon
above (Med. 49), that is an ascend
from the tomb through the Eucharist
towards the Sacred Heart of Jesus.
Such “trace” represents something by way of “effects” as
Thomas Aquinas pointed to, [1]
effects on the
primeval powers of the
soul, that is, on the wrath
or incentive power which
intensifies the
desire in order to attack the remains of the egoistic self and urges
the intellect to a wrestle like Jacob (Gn 32. 22-33) with this mystery
and thus the soul is enraptured into the Holy of holies in the “flight
of the spirit” which we will return to later. On fig. 60 we see
thus how the three powers of the soul (marked by the letters A, B and
C) are lifted up in their formation or assimilation to their Royal
pattern, our Lord Jesus Christ.
It was the Jesuit philosopher,
theologian and one of the principal figures in the neo-Thomistic
revival sponsored by Pope Leo XIII – Cardinal Louis Billot (1846-1931)
– who gave this truth a new meaning in his works. [2]
According to his
theory where he revived and adopted the doctrines of Thomas Aquinas
regarding the instrumental efficiency
of the sacraments, he emphasized
that they cause ex opere operato and instrumentally “character” or a spiritual ornament which will
be a “disposition entitling the soul to
grace.“
The light which Billot sheds upon the growth of the soul
in its Christification in the live of grace by the seal of the
sacraments as character or spiritual
ornament manifests simultaneously
the live giving power (reviviscentia) of the sacraments as well as the
validity of the vestments of the high priest of the Old Covenant as a
prefiguration of Christ as the high priest of all blessings. It are
indeed the items of these vestments which expose the growing ability of
the soul to receive the influx of the Light of Glory gradually in more
intensive way. God reveals thus this “spiritual ornament” or
“disposition“ entitling the soul to grace in an unique manner in front
of the lamp stand. This inner
transformation can be named “overshadowing” of the splendors of the lamps of the lamp stand, a
casting of its shadow. We see an example of such casting of shadows in
the Acts, “They even carried out the sick into the streets, and laid
them on cots and mattresses, so that Peter came by, at the least his
shadow might overshadow them” (Ac 5. 15). We have already seen another
example of such overshadowing above (Med.
21) when St. Seraphim
of Sarov was overshadowed and shared his experience with the Russian
aristocrat Motvilov.
In his commentary on the splendors of these lamps
John of the Cross shed an excellent light upon the nature of such
overshadowing,
By what was said and what we shall
now say it will be more plainly
understood how excellent the splendors of these lamps are, for by
another name they are called “overshadowings.” To understand this
expression, it should be known that an overshadowing is the equivalent
of casting a shadow; and casting a shadow is similar to protecting,
favoring, and granting graces. For when a person is covered in shadow,
it is a sign that someone else is nearby to protect and favor. As a
result the Angel Gabriel called the conception of the Son of God, that
favor granted to the Virgin, an overshadowing of the Holy Spirit: The
Holy Spirit will come upon you and the power of the Most High will
overshadow you [Lk 1. 35]. [3]
And this great master of the spiritual life continues his discussion of
this mystery shedding light upon the mystery of this shadow of God's
splendor,
For a clear understanding of the
nature of this casting of the shadow
of God or these overshadowing of great splendor, which is all the same,
it should be observed that everything has and makes a shadow according
to its size and its properties. If an object is opaque and dark, it
makes a dark shadow; if it is transparent and delicate its shadow is
transparent and delicate. Thus the shadow of a dark object amounts to
another darkness in the measure of the darkness of the object, and the
shadow of something bright amounts to something else that is bright
according to the brightness of the object. [4]
When the soul discern the glorious effects of these splendors of the
lamps she is as Seraphim from Sarov said filled with joy, “When the
Spirit of God descends on a man, and envelops him in the fullness of
the His presence, the soul overflows with unspeakable joy, for the Holy
Spirit fills everything He touches with joy.” [5]
These gratified touches
of the Holy Spirit are divine attributes that He casts on the soul,
What, then, will be the shadows of
the grandeur of his virtues and
attributes that the Holy Spirit casts on the soul? For he is so close
to it that his shadow not only touch but unite it with these grandeur
in their shadows and splendors . . . Finally, it enjoys God's glory in
the shadow of his glory. All this occurs in the clear and enkindled
shadows of those clear and enkindled lamps. And these lamps are within
the one lamp of the undivided and simple being of God, which is
actually resplendent in all these ways. [6]
All this mystery, all these splendors of the seven lamps of the lamp
stand, all this healing of the sacrament of Anointment as a part of the
Eucharistic mystery is concealed in this small and circular shaped
unleavened bread which we call hostia
as has already been stated above.
This was a truth which was dear to Jan van Ruysbroeck when he discussed
the glorious effects of the sacrament of the Altar, this inscrutable
but simple communion with God
in His divine materialism where the soul
“tastes God, eats, devours, assimilates Him, and in turn is eaten and
consumed” [7] and reaches
thus the summit of
the mountain of
spiritual illumination – ascends Mount Zion – and becomes a “secret
friend of God” as he put it into phrase in the 8. chapter of The
Sparkling Stone. It is thus how God decorates His becoming bride still
further by His adornments
before the spiritual marriage and thus the
soul enters her inheritance in the eternal beatitude in glory,
In this most high gift of the
sacrament He also gives us His spirit,
full of glory and rich gifts of virtue, and unspeakable marvels of
charity and nobleness. And herewith we are nourished and adorned and
enlightened in the unity of our spirit and in the higher powers,
through the indwelling of Christ with all His riches. Moreover He gives
us in the sacrament of the Altar His most high personality in
incomprehensible splendor. And through this we are lifted up to and
united with the Father, and the Father receives His adopted sons
together with His natural Son, and thus we enter into our inheritance
of the Godhead in eternal blessedness. [8]
Among the Israelites in ancient times religious meals were always
accompanied by a berakah, a
blessing and thanksgiving for all the
favors received. The Greek word eufcharistia
means thus thanksgiving
which is the core of the Christian sacramental celebration of the
Paschal Mystery, that is to say Christ's death on the Sacrificial Hill
of the Cross and His rising from death in His ascension to heaven in
order to lead human beings who willingly receive His atonement to His
heavenly Father in glory. This He does by giving humanity share and
participation in a new nature that every member of His community of
grace share with Him as the Founder of the Faith.
In the Eucharist Jesus becomes so utterly one with His
creation in the hostia that
He gives humanity a participation in His
own virtues in this humble “abode of the Almighty,” as we can read in
an excerpt attributed to Thomas Aquinas,
Surely the small size of the host
signifies humility, its simplicity
perfect obedience, its thinness virtuous temperance, its whiteness
purity, the absence of leaven benignity, its baking patience and
charity, the inscription which it bears spiritual discretion, its
unaltered composition permanence and its circular shape consummate
perfection. O bread of life, unleavened bread, hidden abode of the
Almighty! Under humble visible accidents lie hidden astounding and
sublime realities!
What can be difficult for a soul living in such an immanent closeness
and companionship with God Almighty under the humble exterior
visibility of His divine materialism,
Great is this favor, my Spouse; a
pleasing feast. Precious wine do You
give me, for with one drop alone You make me forget all of creation and
go out from creatures and myself, so that I will no longer want the
joys and comforts that my sensuality desired up till now. Great is this
favor: I did not deserve it. [9]
And Teresa added to give her daughters an admonition of the sublime
nature of the Eucharist, “It is like approaching a fire; even though
the fire may be a large one, it will not be able to warm you if you
turn away and hide your hands, though you will get more heat than you
would if you were in a place without one. But it is something else if
we desire to approach Him. If the soul is disposed (I mean, if it wants
to get warm), and it remains there for a while, it will stay warm for
many hours. [10]
And facing this mystery His creation becomes enraptured in wonder, "I,
whom am but straw, receive the Fire, and – unheard of wonder! – am
inflamed without being consumed, as of old the burning bush of Moses.[11]
Let us scrutinize how the Holy Spirit instructs us
to keep this fire of love continuously blazing in our hearts in
following meditation.
[1]. Summa theologiae, I-II. 1, 6.
[2]. De Ecclesiam
Sacramentum, Rome, 1900.
[3]. The Living
Flame of Love, 3. 12.
[4]. Ibid, 3. 13.
[5]. The Mystical
Theology of the Eastern Church, p. 226.
[6]. The Living
Flame of Love, 3. 15.
[7]. The Sparkling
Stone, chapters 9.
[8]. The Adornment
of the Spiritual Marriage, XLVII.
[9]. Meditations on
the Song of Songs, 4. 9.
[10]. Way of
Perfection, 35, 1.
[11]. Mystical
Theology of the Eastern Church, p. 181.