As
was already mentioned above (Med. 33)
the holy fathers compared God's ordinance to a castle which He build
faultless in the beginning of creation, but later one of its walls
collapsed by the fall of the first man. The Father had thus sent His
Son to earth to collect living stones (1 Pt 2. 5) to repair this wall.
This collapsed wall was the lost pristine beauty of Adam and Eve in the
garden, the purity of the heart restored
by the exalted fairness of the baptismal grace in order to enhance the
status of man as God’s creation. Soon the soul looses this bounteous
grace again by becoming attached to the sensuous and presumptuous
disposition of the flesh.
By referring to Fig. 47 above this wall alludes to the western side or wall of the Celestial
City – to Christ’s wisdom – as a gate to the new Jerusalem. In the
silence of a pure heart the soul discerns now this sublime truth as
revealed by the three foundation stones or the theological virtues: the faith, hope and charity. Thus she is able to do
because God has so to say “fenced her off” from the enemy of her
salvation with the walls of the
virtues, or as we read in the Songs of Songs, “made her an
enclosed garden” (Sg 4. 12) and thus this becoming bride is “wholly
beautiful and without blemish” (Sg 4. 8). All the super mundane graces
in their beauty, light, truth and love can now flow back and forth in
the depths of the bride’s essence and the enemy of her salvation is
unable to discern what is taking place now in this hidden abode of God and thus she is
also full of peace and joyous gladness.
The barricade or four protections walls which the Holy Spirit raises
around the heart of this beloved bride are the infused virtues which began to
bloom as almond blossoms in the illumination of the lamp stand by
nourishing themselves on the rays of the Uncreated Light. They shine
now in the breastplate of the high priest which is still another
adornment of the bride’s garments of glory. The uppermost row refers to
the theological virtues, the
second row to the intellectual
virtues, the third to the moral
virtues and the last row to the virtues of obedience, poverty and purity. Altogether they are exposed
by the numeral twelve, but by their numerous effects on the three
primeval powers they become 144 (3 x 12) or the measurements of the
Celestial City.
Later we will see in how wondrous manner the Holy Spirit
reveals this barricade or walls of defense by the golden frames
and four fabrics of the Dwelling when the Holy Spirit completes
this master piece of art: the Golden
House of God. (Med. 82-89).
The twelve stones of the breastplate were engraved by the names of the
twelve tribes in the Old Covenant, “The stones will correspond to the
names of the sons of Israel, twelve like their names, engraved like
seals, each with the name of one of the tribes” (Ex 28. 22). Generally
speaking psychologists in contemporary times confirm that the self
identification of an individual is formed and based on the condition he
has to face in the world of living experience. In this inner world of
love, beauty and truth the self has gone through a phase of becoming to
being consisting in a new disposition: the scale of value judgment of
this fiancee of God has changed and become golden in a revolutionary
way by this ontological transformation which Gregory of Nyssa mentioned
in previous meditation. This is explainable by the fact that in this
infused divine knowledge shining forth from “Zion, perfection of
beauty” (Ps 50. 2) God has “created a clean heart” in His becoming
bride, literally speaking “renewed within her a resolute spirit” (Ps
51. 10).
By referring to Fig. 20 above we can earnestly maintain that the bride has become cross shaped in this live of grace
by holy inclinations of the virtues when God renders her heart into His
own, that the mystery of the cross has been marked or engraved in her
heart. We see thus when we scrutinize the truth exposed on Fig. 20 that
the golden altar refers to the heart in the stature of Christ were the
vertical line of the cross and its horizontal line meets in one point.
The reason is that God’s love has streamed down its pillar as the bride
has stood at a standstill in
her meekness on the rock of salvation and thus the beam of the cross
has changed into open arms of love ready to embrace friends as well as
enemies. The ancient fathers of the Icelandic church had a keen
understanding as regards this mystery when God accomplish His
predestination by rendering the bride’s heart into His own, literally
speaking makes her cross shaped,
The upper edge of the cross
signifies God’s love also, and the arms of the cross signify love
towards neighbors, both friends and enemies. The feet are the end of
the body. Therefore the significance of that edge of the cross, where
His feet were nailed, is steadfastness in good works until the very end
of life. The part that was below His feet signifies humility. For as
our mind should rise to God’s rewards, so it should humiliate itself
before men. And the part, which was in the earth, so that one could not
see it – though it upheld all the heaviness of the cross – that part
signifies the unseen might and hidden things. For as it upheld the
whole cross, and was in the earth and one could not see it, so also the
unseen God’s might rules all the visible things. We bear the cross in
our soul, if our heart grieves about others’ misfortunes or sins, as
Paul did: “If anyone weakens, I am weakened as well;” he said, “and
when anyone is made to fall, I burn in agony myself. [1]
That is because the bride has asked the Holy Spirit to infuses into her
heart the virtue of the silence of
the Cross in order to be able to intercede on behalf of
the Church in her Tabernacle prayer in her growing participation in
Christ like humility: to carry her brothers and sisters before God in
her intercession as a true high priest in the Royal Priesthood of the
New Covenant,
No one can have anything except
what is given him from heaven (Jn 3. 27).
The urim and thummim [2] concealed in the breastplate reveals still
another and profound mystery as regards these vertical and horizontal
lines of the cross: complete submittance to God’s will, THY WILL BE
DONE ON EARTH AS IN HEAVEN. These mysterious stones reveal the divine
government or theocracy which
the King of Life intended to instituted on earth and is accomplished in
His Church as His living body. The breastplate was supposed to be the
“supreme court” of Israel – and thus the high priest was obliged to go
into the Holy of holies to gave heed to God’s davar or word in times of distress
in Israel and when the common Israelites in the towns and cities did
not compel to the sentences of the Levites. [3] When the offenses of the people rose high God
became silent, as we can see in the 1. Samuel,
Saul then said, “Yahweh, God of
Israel, why did you not answer your servant today? Yahweh, God of
Israel, if the fault lies with me or with my son Jonathan, give urim:
if the fault lies with your people Israel, give thummim.” Jonathan and
Saul were indicated and the people went free. Saul said, “Cast the lot
between me and my son Jonathan,” and Jonathan was indicated (1S 14. 41,
42).
The voice or davar of God
became finally silent once and for all among the nation because the
Israelites did not submit to the judicial power of God, but became like
the pagan nations around them. They choose rather king as other nations
instead of becoming a theocracy:
choose rather to follow their presumptuousness than this divine
government. The breastplate sheds an unique light on Christ’s
sanctification as a perfection of the human being as a six days
creation,
For the breastplate you will make
chains of pure gold twisted like cords, and on the breastplate you will
make two golden rings, putting the two rings on the outside edge of the
breastplate. The other two ends of the cords you will fasten to the two
rosettes, putting these on the shoulder straps of the ephod on the
front. You will also make two gold rings and put them on the two edges
of the breastplate on the inner side, against the ephod; and you will
make two gold rings and put them low down on the front of the two
shoulder pieces of the ephod, close to the join, above the waistband of
the ephod. The breastplate will be secured by a violet purple cord
passed through its rings and those of the ephod, so that the
breastplate will sit above the waistband and not come apart from the
ephod (Ex 28. 22-29).
The breastplate or the plate of judgment was intended to be inseparable
part of the ephod – the armor of the heart in the stature of Christ –
and God emphasized this unity by the six
golden rings which secured that the plate rested always upon the
heart of the high priest, above the waistband, the token of obedience.
These six golden rings prefigured the Christification of the six days
creation in the power of the infused
virtues. This perfection of the six days creation revealed by
these six golden rings refers to the first
six foundation stones of the new Jerusalem as has been discussed
above. It is by their illumination that the bride has been able to
reach this stage of her stature in Christ. They reveal also how the
bride has reached to this super mundane stature in the live of grace:
by obeying God’s commandments and the virtues of obedience and
humility conform to each’ other growth,
These virtues, more than any
others, prepare and attune a soul to true prayer. From obedience comes
humility, as the Fathers say. Humility is born of obedience and is kept
alive by obedience, as the burning flame of a lamp is kept alive by the
in pouring of oil. Obedience brings the peace of God into the soul.
God’s peace is His spiritual place, His interior Heaven. [4]
The word davar sheds still
further light on this truth, but it is derived from the same Hebrew
root br, just as the words debir and midbar. Midbar means desert in Hebrew and
refers thus to the courtyard of the Tabernacle and the word debir alludes to the inner part of
the Dwelling or God’s Golden House of Glory. In the Old Testament we
see how seriously God condemned the disobedience of the Israelites when
the prophet Samuel confined in Him when the Israelites wanted to have a
king to judge them instead of God,
It is not you they have rejected
but me, not wishing me to reign over them any more (1 S 8. 8).
How numerous souls do not reject God the right to reign over them in
their hearts as a King in modern times. But in the night of the senses
the soul began to discern the eternal Kingship of her shepherd as is
exposed on Fig. 38 above: there Jesus
became the King of her heart.
All the development in the prayer has gradually revealed His Kingship
in an more authentic way in the illumination of the four jewels in the
Holy: the chrysolite, beryl, topaz
and the chrysophrasus.
Let us thus ask the Blessed Virgin to enlighten us still
further on the mystery of these four jewels or foundation stones which
impelled the soul to carry forth continuously more sublime offerings of
her first fruit harvest or her share in this live of grace. No one has
obeyed God’s davar in as
perfect a way as the Blessed Virgin and she will gladly shed light on
this mystery as our Hodigitria
and Queen of Heaven.
[1]. The Book of Homilies, pp. 53-54.
[2].
Many reason seems to point to the Acadian or Sumerian origin of these
words. The word urim is
derived from the same Sumerian root as the word arah or the Ark which means “light”
in Sumerian. The word thummim
seems to be derived from the Sumerian word tummal or temple. These two words
seem thus to imply: “the light in the temple.” As a shield of judgment
the breastplate is thus connected to the acacia wood or me’et in Hebrew as a “three of
judgment.” The divine law in Sumerian was named me appearing again in Egyptian as ma’at and in the name of the goddess
of justice: Ma’at.
[3].
The temple in Jerusalem was thus the supreme court. In such cases the
high priest went into the Holy of holies and cast a lot with urim and thummin in front of the ark.
[4].
St. Ignaty Brianchaninov, Divine
Ascent, p. 89.